Let’s analyze more in details what I mean, speaking about the space in a piece of work and spatial delimitation in a piece of work.
Let us take, for example, a canvas with a drawing in a strip of board. It is evident to any observer that here is a canvas in front and limits of the drawing are where the strip of board begins and ends.
Question «WHY?» arises. Why is the picture limit there? One more important question arises: Is the canvas included into the artist’s piece of work? They say, of course, it is included. But why? Or, for example, are the artist’s feelings included into the piece of work or not? (I will tell you about is separately).
Thinking and asking these questions, I came to the opinion, that the specific frames had effect in the art due to the fact, that the drawing is what is painted on the canvas, the sculpture is what may be seen by the eye. So, it goes without saying in such a way. So, it always has been from century to century. Artists are thinking in the same way when they make their pieces of work. Observers percept either. But it’s a stereotype.
New vision allows for usage of all and everyone in pieces of work, it is not necessarily staying the object or its part in the room. Time, taste, odor, nearly anything may become part of the piece of work. Just 5x5x5-cm air rectangle in your flat. Future belongs to the pieces of work knowing no space limits, where it is the painter who decides, what is included in his piece of work, but not the standards in the head.